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SacrificeIn a nutshell: Callisto's trying to bring Hope back around for more no-good-ness.
Xena: Sensitivity Princess she ain't. Xena and Gabrielle have learned a lot from the nasty Rift going-ons: despite all this reopening of old wounds, they don't fall into the same mistakes again. With one small exception: Xena and Gab both spent much of the Rift hurting so bad they weren't able to reach out to the other. This time, Gabrielle checks with Xena - we're revisiting the death of your son here, "Are you OK?" Xena never once checks on Gab. She treats her worlds better (and gentler) than before, but cripes, Xena, check on the bard once in a while, will ya? The poor woman's got a child's (non-)death to relive, too. Hope emerging from that cocoon (eeeyuk!) looking like the spittin' image of Gabrielle makes sick sense: all the soul of the father, all the body of the mother. ("Hey, Hope, you have your mommy's eyes... and biceps... wait a second, let's see your abs.") Plus, it's a dandy excuse to make Hope even creepier and give Renee O'Connor a chance to show off some range. I love Callisto's delightedly amused giggle when everyone realizes what/who Hope looks like. Note to XenaStaff, though: this does _not_ count as a Gab double episode. We've seen warriors, tramps, princesses and priestesses. I'd still love to see a bard double comedy episode. Ares gets the title of First President of Xena's Fan Club (sorry, Sharon!). "When Xena puts her mind to killing someone, they generally get killed." "When Xena starts to move, nothing is 'safe'." He is just TOO smitten with her, daddy or no. Those dancers looked like they were in recycled amazon costumes, right down to their masks. I'm guessing they aren't actually renegade amazons, since that would probably have merited some manner of comment from Queen Gabrielle, so it must just be a remarkable coincidence (and a nice break for the costuming staff). But may I just say: ouch! Those studded bras do NOT look comfy. Note to self: when someone climbs a scaffolding with a big empty bowl lying beneath it, it's a bad sign. I've heard of bloodbaths before, but that's going a little too close to the source. Xena leaves Gabrielle to handle a whole pack of baddies... and she does. Handily. Sit back and watch the bard kick butt; she really does haul back and swing for the fences nowadays. I wonder if the stunties in Auckland are starting to get nervous? Xena's skills come in handy in the darnedest places: she uses her chakram banks to send back Callisto's firebolt on herself. But you know, if I was a god, the very first thing I'd be working on would be my rock-escaping powers. This is, what, the third time Xena has used rockpiles to trap gods? We now know the origins of the ku klux klan: judging by the costumes, they started out as numbskull Hope worshippers. How appropriate. Xena lets us know that she and Gabrielle had heard about Callisto's latest imprisonment from Hercules and Iolaus. The big question: did they also know that Hope had returned from the dead after being poisoned and cremated? I can't tell for sure from their reactions. How did Xena get her arms free of that sacrifice scaffolding? They had her pinned pretty tight, then suddenly the hooks were three feet away. What's with the royal "we" from the priest? Time for a serious "get over yourself" check! NICE smokeout of Ares, Callisto! He likes to poo-poo Callisto as a newbie god, but she's certainly holding her own against him without problems. She may be new to being a god, Ares, but she's old hat at being a vicious psychotic. As always, Hudson Leick takes every line in her teeth and chews them up for all they're worth. I loved the beautiful sweep and half-bow with "But I'm a god now, Xena. Welcome to my world." Reminiscent of Illusia, but still fun. The zombie villagers and their attack on the hut are a big-time page from the Night of the Living Dead playbook. Will we see the army of villagers return in part two to square off against Ares' army? That could make for an ugly massacre. It wasn't much of a slowdown for Xena and Gabrielle; if that was the best Hope could manage, color me unimpressed. It's strange that Callisto can't hear Hope. Hope hears her, and hears Ares. Hope can talk to her royal-we-ness priest, the flaky priestess Seraphin, and the zombie villagers, including at great distances. Theoretically, you'd have to worship Hope to be able to hear her, and neither Callisto nor Ares fall in that category. I'd think that the godhood business would grant some privileges there, though. Where's Ares' army? He sends off the flunkie in the middle of nowhere to gather all the armies that follow Ares, which would pretty much cover most of Greece, especially all the warlords. But we don't see them at the Sister Peaks or the Halls of War. I'm sure this army will turn up in part II, but I was left wondering what happened to that thread. That was a very sick conversation Seraphin had with Gabrielle by the riverside. Saying that Hope's rebirth was for the Greater Good was a nasty twist on one of Gabrielle and Xena's own favorite phrases, and her plea to "let the Goddess Hope touch your soul" must have been a dagger in Gabrielle's gut. >From the moment Gab tells Seraphin who she is, Serphin (and Hope's) recruitment plan changes bigtime. Dimes to dinars says that while Seraphin was sitting alone, Hope was whispering nasty nothings in her ear about the best way to try to coax Gab to betray Xena and help her get free. It seems that Hope still has something real personal against Xena. All the old "Hope could really be good" arguments come out, with lots of faith in Gabrielle's innate goodness and a nasty twist on the bard's guilt for abandoning Hope to the river. All of Gab's own arguments, when she and Xena fought over Hope, the ones that ended up with Solan dead, are coming back to haunt her. I was fooled for a minute when Gab let Seraphin go; I couldn't believe we were about to go through all this again. But regardless of how much it hurt, Gabrielle wasn't falling for it a second time. That argument between Xena and Gabrielle was staged for Seraphin, but it must have skewered both of them to relive those old wounds again. Seraphin says that "the Destroyer [Hope?] will wash the land of its sins" - more Christian imagery and symbolism turned on its ear for the daughter of Dahok. In Christianity, people are "washed of their sins" by the lifeblood of God's son. Is a similar blood sacrifice going to wash the land with Dahok's daughter? (Besides Seraphin's blood?) Sacrifices have been the big theme of the episode: Seraphin's sacrifice of herself, Callisto's request to die, the sacrifices Xena and Gabrielle are making to protect the world and each other... and those will probably just get bigger in the second part. Seraphin's name, by the way, is a twist on the word seraphim, one of the orders of angels of the "God of the Israelites." What was the flame that showed up behind Ares and made him look darned nervous? Was that when the Fates showed up to tell Ares about Xena's death? Why would they interfere in their own work like that? "You're gonna love it... well, at least half of it." Callisto knows how Xena will feel about Hope being freed, but figures that she won't mind at all the return favor Callisto wants from Hope - her obliteration. Callisto seems to have some of her zest for life back, but apparently still finds things pretty empty now that she's done torturing Xena. Try a hobby first, Callisto! Gabrielle's marker to Ares gets called in, and surprisingly, it's to save Xena. Not a tough task, except that it means the easiest way to serve the greater good - just let Xena shish-ka-bob Hope - is no longer an option. Part two is going to be plan beta.
Rate-A-Xena is brought to you by the letter omega, the number IV, and Beth Griese. Feel free to send any comments or questions my way!
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